😱 “STRANGE LIVERPOOL!” — Just When Arne Slot Seemed to Be Building a New Empire, the Cracks Began to Show… And a ‘DARK SECRET’ About Alexander Isak Has Reportedly Shaken All of Anfield!

Lạ lùng Liverpool!

For two breathless months, Liverpool felt inevitable. Seven straight wins across the Premier League, Champions League and League Cup, and—most curiously—six of those victories sealed by goals in the dying embers: the final seven minutes plus stoppage time. The only outlier, a 4–2 opening-day win over Bournemouth, still leaned on late strikes in the 88th and 90+4th minutes. It looked like a superpower: relentless pressure, superior fitness, and a belief that the final whistle always arrived a beat too soon for Liverpool’s opponents. Then the coin flipped.

In the space of a week, Arne Slot tasted his first three-game losing streak as Liverpool manager—two of those defeats conceded in stoppage time (1–2 at Crystal Palace in 90+7, 1–2 at Chelsea in 90+5), sandwiched around a 0–1 loss to Galatasaray in Europe. If the early season suggested Liverpool could summon late rescue acts on command, this sudden turn implied the same risk runs both ways: when you live by the last-gasp goal, you can die by it, too.

Strip the emotion away and a pattern remains. In 10 matches across all competitions, goals after the 80th minute appeared in eight. Liverpool scored eight of them and conceded two; tellingly, both concessions were match-losers, and six of Liverpool’s late goals directly delivered wins. This isn’t mere “luck”—it’s structural. Liverpool almost always chase victory, not safety. When level or behind, Slot pushes numbers high, compresses the pitch, and invites chaos. Chaos can crown you—or clip you.

Liverpool có chiến thắng thứ 5 liên tiếp | Báo Pháp Luật TP. Hồ Chí Minh

That tension is amplified by an attack still under construction. Liverpool’s marquee summer business skewed forward: the record-level arrivals of Florian Wirtz and Alexander Isak were meant to add incision and variety. So far, neither has fully clicked. Wirtz’s best work comes between the lines; Isak prefers stretching depth and finishing sequences. Slot has struggled to field a balanced front that accommodates both while preserving pressing triggers. Hugo Ekitike has offered flashes—sharp movement, combative pressing—but suspensions and niggles have interrupted his rhythm. The result: a forward unit that can generate late waves of pressure without always crafting early, high-quality chances.

Tactically, that carries collateral damage. When Liverpool pile on in minute 80+, full-backs bomb, midfielders step onto second balls, and centre-backs defend acres in transition. Against opponents happy to bunker (Barcelona, Real Madrid, Manchester City types often sit deep late), those counter windows shrink. Against Premier League strivers smelling vulnerability, the game stays open. Palace and Chelsea both accepted the trade: absorb, suffer, and wait for that one break as Liverpool commit numbers. Twice, the break arrived.

None of this is fatalism. It’s fixable. The international window offers Slot precious time to recalibrate roles and restore control. Three priorities stand out:

Define the attacking blueprint. Pairings matter. If Wirtz starts, Liverpool need a running nine who stretches lines and wide players who pin full-backs; if Isak starts, the 10s must attack the box. Fewer experiments, more repetition.

Protect the rest defence. Late pushes require insurance. A holding midfielder must hold, and at least one full-back must stagger to kill the first counter pass. Marginal tweaks save points.

Score earlier. It sounds glib, but front-loading chance quality changes game states. An early lead turns those frantic finales into managed wins, not coin flips.

Nỗi buồn “FC Phút cuối” | Báo Nhân Dân điện tử

The irony is rich: Liverpool’s aura this season was built on late winners; their wobble arrived via late gut-punches. The underlying truth is the same. Slot’s Liverpool are brave enough to keep chasing games to the last breath. Channel that aggression with sharper structure and a clearer attacking formula, and the “late-drama paradox” becomes an edge again—not a liability

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